Monday, May 17, 2010

How to Become More Creative

Photo from Jackie Egginton Dreamstime.com



Designers are often asked where they get their ideas from. Most often they quote their sources as fashion, vintage knitting, art, landscape and a variety of other visual inspirations. I often work from the yarn and my sewing background has been a big influence as well. I love stitch dictionaries and I spend a lot of time swatching using traditional stitch patterns as well as playing with them and making changes. I think people are really asking how do we get from the idea to a real knitted item because they are overwhelmed by the possibilities when they review the suggested sources. The sheer vastness of the available options limit their ability to make a single choice.

One of the other ways I develop an idea is to pick a technique (just one!) and read all of my technique books on that topic. Next I start swatching in an appropriate yarn and I play with what ever ideas pop up. If I wander too far from the targeted technique and have a great idea I note that one down for future experimentation and then I go back to my chosen technique. Essentially I force my brain to go down one path and generate idea's. It keeps me focused and gives me specific problems that I have to develop solutions for.

Krugle co-founder and CEO Steve Larsen says there's a reason that early-stage companies produce innovation: the financial and time constraints they operate under force people to come up with new solutions."These constraints breed creativity," says Larsen.

So give it a try and let me know how the constraint technique works for you.

Friday, May 14, 2010

An Interview with....Laura Zukaite





Once a week I post interviews with interesting designers about their insights on their experience of working in the Knitting industry. I’ve noticed that every designer makes their living in a slightly different manner bringing their own unique presence to the Knitting world.




You can find Laura here http://laurazukaite.blogspot.com/




Laura has provided a short bio as well. "I was born and raised in Klaipeda, Lithuania. Moved to the US together with my family when I was 18 years old. My parents and two younger brothers settled in Philadelphia and I decided to move to New York City for college. I received my BFA in Fashion Design from Parsons School of Design in 2007 and have been working in sweater design in fashion industry since then. Luxe Knits was a project I got involved into my last semester at Parsons and it finally came to life last August. This upcoming Fall everyone should expect a nice surprise- Luxe Knits: The Accessories- a book that will continue the aesthetics of the Luxe Knits in every sense of it."


Where do you find inspiration?
I take inspiration from the beautiful things I see around me… It could be something like crack on the sidewalk or a modern piece of furniture. Today I was passing a street full of blooming trees and the petals were falling down like snow… It was very inspirational.
What is your favorite knitting technique?
I do not have one favorite technique… It depends on the season. Usually I like to take a technique and turn it into something special and unique of my own. You can find quite a few examples of that in my book Luxe Knits. After one technique is exhausted to the point where nothing new can be done- I move on to the next one…
How did you determine your size range?
The design itself usually determines it for me. There have been cases where I could only have the Small and the Large. But most of the time I try to cover a variety of sizes if it is possible.
Do you look at other designers' work or are you afraid that you will be influenced by their designs?
Working in Fashion Industry- looking at other designers’ work is by now a part of my daily routine. It is a part of the research we do. To know is to have the power. And to know what other designers are doing gives you the perspective where the trends are headed. There are very few things to be left invented in fashion- what makes a designer unique is his own personal vision.
How do you feel about the so called controversy of "dumbing down" patterns for knitters?
To me it is one of the most exciting things when writing a pattern. I call it “designing the pattern”. When you can strip the pattern of all the unnecessary things and leave just the bare bones so that it is just enough for everyone else to understand how to make the sweater…I feel accomplished…
How many sample/test knitters do you have working for you or do you do it all yourself?
I do most of the knitting myself. There were a few projects in Luxe Knits and the new upcoming book Luxe Knits: The Accessories where I had to get some help because of the deadlines. I keep it all in the family though- and my mother, who is an excellent knitter, has completed a few of my designs for both books.
Did you do a formal business plan?
No
Do you have a mentor?
No
Do you have a business model that you have emulated?
No

What impact has the Internet had on your business?
The Internet has a huge impact on my everyday life as well as my work. Starting with the basic communication- which is mostly done through email…and ending with research and letting people know about you and your work. Internet is a powerful tool.
Do you use a Tech Editor?
No

How do you maintain your life/work balance?
I live an extremely active lifestyle. I do cycling, running (recently completed my first Half Marathon), skiing, swimming… That helps me to relax my mind so that when I get back to work- I am really focused and dedicated.
How do you deal with criticism?
I welcome criticism! I believe that the only way you can improve what you are doing is by taking the criticism from others.
How long did it take for you to be able to support yourself?
I think when I was still at school- I was able to pay off my full tuition for the last two years of college…so I have been doing moderately well since then…
What advice would you give someone who wants to pursue a career in knitting?
It is not just a career. It is a lifestyle. You have to love it so much that you would crave knitting…If that sounds like you- then go for it!



Laura's upcoming book is pictured below.


Wednesday, May 12, 2010

French Girl Knits by Kristeen Griffin-Grimes


I ask the question, "Do you look at other designers' work or are you afraid that you will be influenced by their designs?" in my weekly interviews. I personally look at everything: art, nature, textiles, mainstream fashion and the work of other Knitters. I never know where their inspiration will take me but I love the ride!



French girls knits has 18 garment patterns and the designs are arranged into sections by the construction technique used for each. The garments are all seamless. So if you hate to sew up this could be the book for you. Kristeen's passion for all things French is felt strongly in her introduction to each pattern. The designs are both vintage inspired and often very feminine in nature. Several of the garments utilize inserts (triangles of knitting) to add additional shaping at the hemline edges to improve their fit and capacity to flatter a women's body.

Each section is filled with extra technical advice and tips on fitting the garments to customize them to your own body. The patterns themselves appear to be written with a great deal of detail.

Some of the projects definitely have the younger knitter in mind but overall this book has many garments that I'd be happy to knit and proud to wear.



Stella pictured above is one of my favourites from this book. It's a technical tour de force. I rarely knit from patterns but this one is a real temptation with its fascinating construction and beautiful silhouette.


There is a web site as well you can find it here http://www.frenchgirlknits.com/index.php






Take a look at this book and let me know what you think.

Monday, May 10, 2010

The Knitter's Frolic



I spent Saturday and Sunday at the Knitter's Frolic this weekend. It's an annual event hosted by my guild the Downtown Knit Collective. More details are here http://www.downtownknitcollective.ca/dkc_frolic.html



Saturday my friend Anastasia and I worked for an out of town vendor. Indigo Moon. You can find Trish's beautiful yarns here http://www.indigomoonyarns.com/ The colour above was the yarn I received as payment.

We helped on Friday night with setting up the booth. Trish's parents were also there and we all worked together for about 3 hours to get ready for the following day. Saturday Anastasia picked me up at home and we arrived just in time to greet the hoards of Knitters who attended the frolic. Of course both Anastasia and I took time to walk the market and visit all the other great vendors there. Anastasia picked this yarn from the West Coast Musing line.
I also bought 2 skeins of yarn from Dye -Version http://www.dyeversion.com/

Their site is still under construction so check back there later. I bought some of the yarn that has silver spun in, it's 2% sterling silver. Very pretty and the shine is delicate and subtle.


On Sunday I taught my newest class "Proportions for EveryBody" I had a lot of fun doing it. I hope the students felt the same way. We spent the bulk of the time doing individual figure analysis and then talked about strategies to balance our figure proportions and camouflage parts we don't want other people to notice. Working as a group really helps when someone misjudges their own body (usually in a negative way) and everyone in the room is shaking their heads and saying "NO". It's also amazing to look at someone with a great figure and hear their concerns. Often what we think is the best attribute is the one that bothers them the most. Our discussion also confirmed that there really is no such thing as a standard size, every women there talked about how difficult it is to find clothes that fit. I got several really great idea's from the participants that will help me make the next session even better. I always enjoy teaching because I learn so much. I want to spend more time analyzing other figure shapes so I have more advice ready for body shapes that are different from mine.

Friday, May 7, 2010

An Interview with....Jackie Erickson-Schweitzer









Once a week I post interviews with interesting designers about their insights on their experience of working in the Knitting industry. I’ve noticed that every designer makes their living in a slightly different manner bringing their own unique presence to the Knitting world.


You can find Jackie here http://www.heartstringsfiberarts.com/ and here



Where do you find inspiration?

Quiet moments are golden for letting inspiration find me. It is in those quiet times that I can slow down enough to listen. I also value exploring other fiber-related disciplines and artistic media -- even music and nature. One never knows when an idea will enter the subconscious self to arise later as an "a-ha" moment.

What is your favorite knitting technique?

I like them all, but lace is my favorite for designing. I love creating through the interplay of the open areas (where light and the colors of the world beyond peak through), the solid areas, and the texture of the stitch combinations. The fact that these are all present in even the simplest of laces allows me to have patterns in my HeartStrings product line that knitter just barely starting out can successfully make. And the possibilities from there are endless in combinations, complexities, beading and multi-color treatments.

How did you determine your size range?

I design mostly for 'average' adult sizes. I do include larger sizes when the design integrity can be maintained. I don't currently do much with children's/toddlers sizes. As a solo business person and 'jack(ie) of all trades', there are just so many hours in the day, so I choose to stay focused on the mainstream of interest that my business has attracted and happily refer people to the work of other designers who handle those areas that I don't.

Do you look at other designers work or are you afraid that you will be influenced by their designs?

Of course. I love to see what my peers are doing and cheer them on! I have my own design/instructional style that is in my heart, so I really don't fear wanting to be someone else.

How do you feel about the so called controversy of “dumbing down” patterns for knitters?

I feel it is good to give the detail needed for the target audience/customers. Providing not enough or too much can be a fine line. Ideally we could read our customer's mind in real time and present exactly what they needed. In my skill-building patterns, I target a technique/skill or two or three to concentrate on. Sometimes it is so subtle that the person does not even realize (which is my intent!). I want learning new things to be fun.

How many sample/test knitters do you have working for you or do you do it all yourself?

I don't have regular (e.g. on payroll) people doing this, but I haven't done it all myself either, LOL. I do a lot of the sample knitting myself because that is my choosing. I've had some good successes with sample/test knitters. Unfortunately, I have also had many occurrences of frustrations and extra work for me. Maybe I am just too picky.

Did you do a formal business plan?

Well, by formal, yes it was written down. No, by formal, it was not taken to a bank to get financing. (My business philosophy is not a debt proposition. I started out small and grew. Manage risk investment and see where that goes -- although as we've all seen this past several months, the economic climate can challenge even the best well-laid business plans). I do periodically review my business plan to mark progress and make adjustments in goals. The biggest shift I had was in early 2002-2003 that I realized I had gotten side-lined with retail sales (having expanded into weaving and spinning as well), and although that was all going gang-busters, it was taking away from my knitting design goals and spreading me out too thin. In 2003 I went wholesale only so I could concentrate on knitting pattern designs. I think a business plan helps keep one on track; not that it can't be changed, but just that it reminded me of what I had first set out to do and still wanted to do.

Do you have a mentor?

I learned a LOT about business and personal relationships from my late hubby. He was also my dearest friend and so supportive of what I did. He passed away in 2001, but I still feel he is around when I need a helping hand.

What impact has the Internet had on your business?

The Internet continues to open new possibilities, as well as challenges. I guess because I am comfortable with computer technology (having come from that world in my 'former life'), I think of it as a great boon to creative professionals. In fact, I feel that it is good to be a single entrepreneur rather than a corporate-laden structure in these times, because the times are changing so quickly, and one has to turn on a dime. That is where we independents have an edge over the big companies.

Do you use a Tech Editor?

Umm … 'fired' the last one. Have gone back to doing it myself (I am trained in technical writing and editing, but as you undoubtedly know, it takes a different 'hat and new set of eyes' to tech edit your own stuff -- so it is best to have sufficient time to set aside the pattern and be able to look at it afresh with the testing mindset).

How do you maintain your life/work balance?

Even after taking early retirement from a day job in corporate America, I am busier than ever. But it is on my own clock, now, and that is very satisfying. I think of my work as play, because if I weren't enjoying it, then I should be doing something else. I only work about half-time -- that's just 12 hours in the day, right? LOL. I still have aspirations of "Taking time to smell the roses" which is the title of my blog, just to remind myself to do some other fun things for variety. It's easy to get caught up in perfecting a design and the time just flies, or crunched by deadlines, or just over committing (I need to keep reminding myself that I am not wonder woman). I would definitely not be someones good example of how to maintain balance -- I'm afraid my life is more like a teeter totter than a balance!

How do you deal with criticism?

I appreciate those who take the time to write to me, both positive and negative. Of course, I never like to hear the negative, but I look at it as something I can learn from and consider taking action on if it warrants. Yep, I'm human, and sometimes when a really offensive phone call comes in (I have a toll-free pattern support line even though I do not sell directly) or email, I have to really pull up my big girl panties. If there is something disturbing or unclear how to handle, it helps to sleep on it and things usually can be approached with a clearer head the next day. I find this allows me a better chance to respond constructively.

What advice would you give someone who wants to pursue a career in knitting?

There is more to the business of design than just designing.








Wednesday, May 5, 2010

The Breton Hat



This is my most recently published hat pattern. You can find it here http://www.patternfish.com/patterns/5776

The brim was the result of a lot of experimentation as I couldn't be sure that it would work until a fair amount of the crown was knit as well.

I wear hats pretty much everyday so you will see more patterns for them from me in the future. They are also a good carrying around project as they are small and are often worked on circular needles. I'm currently finishing the pattern for another one that has a matching neck warmer and fingerless gloves. I've also got an idea for something unusual that I'm starting to swatch for.

Monday, May 3, 2010

Things I've Purchased to Become a Designer



I've been slowly purchasing things that I need to move forward with my designing career. I won't list the costs here but I thought I'd give you an idea of what's required.
So far I've bought 2 hat stands, a mannequin, software which includes Garment designer, Stitch Painter and Photoshop.
I've bought some yarn and an occasional needle. I have had a little yarn support from several distributors and I intend to pursue that more actively now that I'm designing full time.
My most recent purchase was a photographers stand and canvas backdrop. My husband has been borrowing a camera but we intend to buy one soon.



I've also paid out for postage, courier fees, test knitting and tech editing. I'm using a laptop that we already have but I know from past experience that computers need replacing regularly so that will be an ongoing business cost as well. I'm pursing this career out of a lifelong love for the craft but I do need to make some income vs. spending. I wonder how other designers deal with the initial investments and ongoing cash outlay?