Friday, November 9, 2018

Fitting - A Video Link

I've started another sewing project of a tissue weight knit top. I want to share a video series on fitting a simple knit top because it answers a question which is often attributed by knitters to the wrong cause. Some knitters have a problem with the neckline of sweaters sitting incorrectly and falling backwards. Often this is attributed to back neckline shaping. My sewing and pattern drafting classes always changed the shoulder seam and the centre point of the sleeve to add extra length over the fuller back arm. Most fitting improvements are tiny little adjustments that don't always make sense in the beginning. I was lucky enough to take classes with two teachers who were fantastic fitters, now you can learn a lot of these things online.

The details are in the third video, Balancing Armholes and Shoulder Seams. I recommend that you watch the whole series. Each video is quite short and you may find solutions for other issues. The blog it's hosted on is written by a very popular sewing teacher and pattern maker. Marcy Tilton.

The blog post is here.

Friday, November 2, 2018

The Creative Jolt I Needed

I think I must be craving a creative break from knitting. I did some jewellery making at the end of the summer as an attempt to get a creative jolt and quite enjoyed it. However, what I really wanted to do was some sewing. I'm becoming increasingly frustrated with the poor quality of everything available at retail. I also buy way less than I did when I had a full time job which means I want very specific things which are often not available. The other sign was I bought a few patterns and a piece of tweed for a jacket. 

I mentioned the craving to sew to a friend and the next thing I knew she got me to go fabric shopping twice! On the first trip I bought upholstery fabric and recovered all of my living room throw cushions. I had searched for replacements in a few retail shops and the cost IF I had found something I liked was crazy. 

On the next trip I bought fabric for a dress and some notions to get me going. Oh but I needed some serger needles which required a trip to Toronto's fabric district on Queen St W. It turned out my serger needed a tune-up and my sweet husband took it to be repaired and picked it up once it was ready. 


That trip for the needles lead to a few other purchases. I've now made a white faux fur vest, and a pink oversized knit top. 


I completed them while I waited for my serger to come home. The vest is fully lined so no seam finishes were required. I did french seams on the top and finished the double turn hems by hand.  I used a hand finished band on the neckline. The dress is almost done, I just have to complete the neckband and hems.

The top is to wear with these fabulous suede boots my husband gave me for Christmas 2017

Then Craftsy did a free week of classes and I went a little crazy watching and reminding my self of my forgotten skill set. I've dug up my old tailoring notes to review before I start that jacket. 

If you are worried that this will become a sewing blog, don't be, I suspect this is just a lull in my knitting activity. I might share some sewing fitting resources to help knitters which I've done in the past and they are often my most viewed posts.  

Friday, September 28, 2018

Life Changes, an Update

Things are shifting here at Robin Hunter Designs. My husband retired six months ago so my daytime schedule has changed significantly. 

In June I got fed up with the ongoing pain in my left wrist so I took a month long break from knitting. The pain completely disappeared during that month. I went back to knitting and it's bothering me again so I'm carefully monitoring how long I knit, doing my stretches and exercises and icing it whenever I feel any discomfort. 

I'm actively working on three new designs. I've finished a cardigan which has to be graded. I've got two shawls on the go right now. One is vortex shaped and the other is a shallow triangle. 

I'm working towards a slower version of my previous life. Having my husband home is creating an environment which makes me want to slow down and stop rushing through life. This summer we spent time enjoying our balcony garden, reading, cooking and we had some fun watching Netflix. At the same time we've been getting more done at home. We finally replaced our front hall closet doors with mirrored sliders and we have new lighting fixtures in the kitchen. We've got a long list of home maintenance items to work our way through. 

I did a fair bit of jewellery making during the time I wasn't knitting and I got interested in sewing again. I've bought fabric for a dress and a jacket. Hubby is cleaning and oiling both my sewing machine and serger so I can get started. I'm trying to stay creative without putting so much stress on my wrist.

This week we're going out of town to see a play and enjoy dinner at one of our favourite restaurants. I expect life will continue to evolve in new ways as we get used to our new status of two retired people. 


Friday, September 14, 2018

An Interview with...Sheila Toy Stromberg

Once a week I post interviews with interesting people about their insights on their experience of working in the Knitting industry. I’ve noticed that every one of these individuals makes their living in a slightly different manner bringing their own unique presence to the knitting world.

You can find
Sheila here and here on Ravelry.

Where do you find inspiration?

Oh my gosh, where don’t I find inspiration would be a shorter list! I am trained as a traditional artist (painting, drawing, printmaking, the works) so really I just see the whole world around me as inspiration. I see a shape or texture or color and it gets my wheels turning. Other times, it’s the yarn itself sitting in my hand that inspires me and drives the design. I view my designs exactly how I paint; the work is a composition that must be balanced, have a focal point, and something unique about it.

I feel like I’ve succeeded in a design if I can make a garment do what I dreamed up but sometimes the knitting goes differently than I plan. I try to just roll with it and let the yarn be what it wants to be. I try not to be too forceful with the design process because, just as with painting, the work will tell you want it needs to be. You can fight it and end up with something mediocre or you can embrace the material you’re working with and let it shine. (Easier said than done!)

What is your favourite knitting technique?

Right now, I enjoy designing lace the most but I’m a sucker for a nice cable as well. I really like focusing on one technique or garment type at a time and falling down the rabbit hole. The more I focus on one thing for an extended period of time, the higher the learning curve and the more I am able to understand and manipulate that technique to do just want I want. I find that mastery really enjoyable!

Do you look at other designers’ work or are you afraid that you will be influenced by their designs?

I definitely like to see what’s going on in the design world but I try not to fixate on it too much because it begins to impact my originality. But just as with art (and really everything in life), I don’t think you can come into a conversation without knowing what has been said before you and what is being said right now. It doesn’t mean we all have to agree or be doing the same thing, but seeing other people’s work can inspire you and spark ideas that you couldn’t have come to on your own. There is nothing wrong with being inspired by other people’s work, but inspiration and duplication are two different things. I always try to come from a place of originality or bringing a new twist on something instead of stealing. 

How many sample/test knitters do you have working for you or do you do it all yourself?

Presently, my samples are always done by my own hand. I never want to become so detached from my design process that I’m not knitting every day. I also write all my patterns myself, do all the sizing/math, marketing/promotional, photography, and almost always model my own garments. It’s kind of exhausting sometimes but my designs are 100% me and that feels good.

Right now, I have a handful of perpetual test knitters on my roster and I usually open all my designs up to a couple new testers! I strive to have every single size of every single pattern tested so I know how to correct the sizing before the pattern is released to the public. I absolutely couldn’t produce the volume of sizes I do without my amazing testers! I always post a call for testers on my Facebook page, so look there for future tests! 
Coming soon!

Did you do a formal business plan?

I don’t really have a formal business plan but I do set annual goals of what I want to focus on each year and then a monthly goal of how to achieve my annual goal. I think setting goals is the most effective way for me to do what I want to do. I don’t always achieve every monthly goal I set but just having those goals makes me reach higher than I would have without them.

To be entirely honest, I never planned any of what my life has turned out to be at the current point (but I mean that in a good way!). I sort of just started putting patterns out because knitting and crocheting completes something inside me and I was making up all these designs anyways so I figured I should share them with the world. Then I was met with unexpected success and I thought I would give it a real go and I’m so glad I did! I think that I’ve been able to keep my business casual for the most part and it works well for the artist inside my heart.  

Do you have a mentor?

I’ve been really blessed to come into my own as a designer in an area rich with local designers, dyers, and local yarn shops. My favorite yarn shop, the shop I learned to knit in, recently closed and it was a big loss to me. The owner, Verla Younker (her shop was called Unraveled Sheep), really actually started me designing. She would give me design assignments and help me when I was stuck. She put me in contact with some amazing local designers who always patiently worked with me and helped me. Locals from my shop who helped me get started and still inspire me were Verla, Amy Tucker, Mary Triplett, Marian Ju-Scozzare, Katy Carroll, Carolyn Greenwood, and Miriam Felton.

I think it’s really important for designers, makers, and humans to be around their people. You know, the people that share your crazy passions, that encourage you to keep doing what makes you happy, and make you laugh. Go to your local yarn shop! My new shop is The Wool Cabin and it’s a great and encouraging place I can bring my design and crazy ideas and have fun with friends old and new.

Do you have a business model that you have emulated?

Yikes, not really! I just follow wherever my heart, yarn, and interest leads me. I seek out collaboration opportunities with dyers and yarn companies that I like. If I like working with them, I do it again. So I guess my business model is “fly by the seat of my pants and it will magically work out or maybe it won’t and I’ll be fine either way”.

Do you use a tech editor?

It depends on the pattern and what I’m planning to use it for. If it’s a free pattern, the cost of teching it is not something I can recover, so I typically don’t run it through tech. If it’s a pattern with a lot of directions, sizes, and elements, I do like to have my tech editor (Min Jung) look it over. She is a math wizard and is so detail oriented. It helps my patterns so much! Otherwise, I have a few good testers who give me tech edits and look things over for me. 

How do you maintain your life/work balance?

Honestly, the balance is hard sometimes. I have 3 small children and 3 small businesses so life gets a little overwhelming sometimes. My husband and I are also foster parents and during a foster case the balance is even harder. We just adopted a foster placement this summer and I didn’t put out a pattern for months (which is contrary to one of my monthly goals!). But you know what? I didn’t even let it bother me because other things needed to be my focus at that time. I really just try to remember that everything has it’s time and season and nothing is going to last forever. Having little kids in my home is not going to be forever. It makes it a little easier to let stuff go sometimes and sometimes I do have to push my work off for the more important things in life. It does help me to have deadlines and monthly goals but being realistic that sometimes those things are going to have to slide is pretty important in my life right now. I do occasionally start to feel guilty that I haven’t completed a design or put out anything new in a while and then I need to remind myself of what my number one priority is, which is my family.

It’s hard when the thing that re-energizes you (which for me is producing art and designs) is something that needs to be neglected for the time being. And if I’m being entirely honest, putting out work feels a lot more instantly rewarding than being in the trenches raising kids. It feels good to be appreciated for something I designed, worked so hard on, and used my brain to create but I know that if I check out on my kids now that I’ll regret it later. Isn’t the tightrope walk of parenthood just beautiful? I feel guilty sometimes if I don’t put something out and I feel guilty sometimes if I’m working instead of being entirely focused on my kids! It’s hard to let all that go and just try to exist and do the best job I can.

I do have a rough daily schedule in place and that helps me do the thing I need to do until the time for that is over and then move to the next thing. I make sure to keep my 2 hours at the end of most days for actually knitting and not just writing patterns. I need that mental break and reconnection with the making process and it helps recharge me for tomorrow. 

How do you deal with criticism?

Well a degree in painting certainly beat all the personal-ness out of criticism for me! Getting critiqued daily on something that your entire soul is in was a lot harder than someone not liking a hat I designed. So I think of criticism in the following way:

1. Are they right? Is there some error/problem/issue with the design that I failed to see before publishing?

I immediately go investigate the issue and see if they are right and there’s an error or if they are incorrect. If they’re right, I go correct it. Problem solved and I don’t think about the criticism again.

2. Are they wrong? Is it a matter of personal taste/style? Are they just having a bad day and taking it out on me?

If this is the case and there is no issue, I either respond as nicely as I am able to at the time or ignore them if the criticism needs no reply. I know this will surprise you, but people are not always polite when they email me. So, sometimes I do need to walk away from the issue for a couple days because I know if I respond immediately I will be curt. I try not to get personal because, of course, it isn’t personal. They don’t even know me so it can’t be personal. So I just acknowledge to myself that it was their problem, not mine, and move forward. 

How long did it take for you to be able to support yourself?

Well, I suppose this is a difficult question for me because this is not my only revenue. I don’t know if I could fully support all my family’s needs if I only focused on designing and did that for the majority of my day. I design more on the side.

I measure my success in designing by my original goal when I started publishing patterns: can I support all my desired yarn purchases with my designs? I really started selling patterns to enable myself to buy whatever yarn I wanted whenever I wanted to, no matter how crazy expensive the yarn was. I was able to do that within the first year of selling patterns. This year I’m focusing on publishing print patterns for sale in local yarn shops and by private yarn vendors. I do make a good amount of excess money currently and I believe print patterns will be even more lucrative! 

What advice would you give someone who wants to pursue a career in knitting?

I would tell them to go for it! Give it a shot for a predetermined amount of time and see what happens. Start with what you are able to do at the moment and see where it leads you. And don’t be fearful about claiming this moment to try it. Be bold. Brazenly tell people you’re a designer. You might feel a little like a fraud at first and that’s OK. The secret is we all feel a little like a fraud for a long time before we start believing it ourselves (and that goes for every designer, artist, and maker that has ever existed so you’re in good company).

I would also recommend that you do everything you can to support and build up other people in the fiber arts world. We all need each other. We need to have a support group. Promote other designers, it’s not hurting you at all. Seek out collaborations. Talk to people. Tell them how much you love what they’re making! They need to hear that. Be supportive as much as you can and this community will hold you. There is room for you because you have something unique to say. You have something to contribute that no one has thought of before. We want you here!

What’s next for you?
Hopefully world domination? Just kidding, I don’t need the stress. I’m hoping to continue to make relevant new work! I am going to get my patterns in more shops in print form and one day get a book published (that’s a goal for another year, but I do want to do that down the line). I want to continue to make designs that are sized for a variety of body shapes and sizes because everyone deserves pretty designs that are fun to knit. I want to seek out more collaborations with new dyers because working with glorious yarn keeps my work energized.

Friday, August 31, 2018

An Interview with...Paola Albergamo

Graffiti (

Once a week I post interviews with interesting people about their insights on their experience of working in the Knitting industry. I’ve noticed that every one of these individuals makes their living in a slightly different manner bringing their own unique presence to the knitting world.

You can find
Paola here on Ravelry.

Where do you find inspiration?
I have two main sources of inspiration, depending on whether I'm working on an accessory or on a garment. 

In accessories, I am mostly inspired by contemporary abstract art. This is particularly true when we speak about shawls, which I imagine as wearable paintings made with yarn. I love seeing color, harmony and shapes in pictures, paintings, street art and graffiti, and I try to convey this kind of inspiration in my patterns.
When I'm working on garments, I'm interested in wearability for - I confess! - my body shape. I have a sewing background, and I love translating sewing model making into knitting: it poses a lot of geometric/math problems that I like to solve, it's like playing with puzzles!
In both cases, I love unconventional and unusual constructions, bright colors and strong contrasts.
I am by no means a minimalist, I want my creations to be noticed, because they are different from anything you can buy in a shop.

What is your favourite knitting technique?
When following others' designs, I love every technique. Cable, lace, colorwork, you name it!
When designing I'd say that short rows, modular knitting, and brioche (not necessarily in this order) are the techniques that I use more often and that I feel more natural to me. 

Gocce (

Do you look at other designers’ work or are you afraid that you will be influenced by their designs?
I think that it is simply impossible not to look at other designers' work!
I try to follow what's going on in the knitting world, with the intention of excluding the ideas that have been already "used" by others.

How many sample/test knitters do you have working for you or do you do it all yourself?
I knit my samples myself, because I like the process and because I often change my mind on some details (and yes, sometimes on the entire construction!) while knitting. I know that this is slowing down my productivity, but I enjoy this freedom so much!
I use as many test knitters I can, to be sure that my patterns are correct. I know many say that a tech editor is enough, but I am a former software developer and I cannot even think that an algorithm (a knitting pattern can surely be interpreted as an algorithm) can work if not thoroughly tested. And I love testing! It is like a mini-KAL.

Do you have a mentor?
No, unfortunately.
Did you do a formal business plan?
No, nothing formal. I started designing while still working as a programmer and didn't take it too seriously. Then I lost my job and simply continued working as a designer.
I studied about this industry and have plans, but nothing formal.
Do you have a business model that you have emulated?

Do you use a tech editor?
Yes, but I'm still searching for a stable work relationship.
I don't know if I am expecting too much from a TE, but I feel that I've not found the one who can understand my patterns and correct them without actually knitting them as a test knitter does.
How do you maintain your life/work balance?
Well, my life is very simple: I don't have kids and work from home. And still have problems!
I'm probably very bad at this, and I cannot share any clever thought. On the contrary, I'm looking for advice!

How do you deal with criticism?
I think that criticism is growth. Even the meanest criticism is a feedback and as such it can help you understand what others want/expect from your patterns. And it is always a good occasion to have contacts with your public! 

The Prism Effect (

How long did it take for you to be able to support yourself?
Well, I'm not sure I'm there yet. I knew from the beginning that this can take time, I'm not disappointed. I love the work that I'm doing and I'm slowly but continuously growing, what else could I ask for?
What advice would you give someone who wants to pursue a career in knitting?
Patience, and a lot of work. Success never comes overnight and pattern writing is much more complex than many knitters think. Turning a passion into a career is not easy, sometimes it will feel like a "normal job". So my advice is to find your own personal happy routine, to bring the joy even in the dullest part of this work.  

Vanishing Point (will be published in September)

What’s next for you?
Last year I worked mainly for third party publications, and it was really satisfying and fun: I learned a lot about pattern writing and I had the possibility to stretch my creativity in many ways. Now I want to focus on self-publishing, because I have many personal ideas that I know are not suitable for magazine publishing. I'd love to participate in collective events, such as the GAL or the Happiness Make-A-Long, because they are fun! I really enjoy them as a wonderful occasion to work with other talented designers and make friends, and, finally, they work very well for me!

Reptile Skin (

Friday, August 24, 2018

August Reboot Series - A List of Knitting Calculators

This month I'm going to be doing some re-posting of older blog posts with occasional updates. I hope to have all new interviews every Friday but many Pros take the month of August off and in past years I haven't always been able to get enough interviews back to fill all the August dates.  (As predicted I sent out a much higher number than usual of interview invitations but I don't yet have a new one to post.) 

Sometimes we just want to knit something simple and can get intimidated by the math. Have you heard of knitting calculators? Some knitters call them generators. Many wonderful people on the Internet have set these up free for you to use. These are very handy things to know about.

Here's a list of the ones I'm familiar with. If you have some great ones please share in the comments and I'll add them to the list.  

How Much Shawl Have I Knitted So Far?

Hat Calculator

Increase Calculator 

Sleeve Increase Calculator

Decrease Calculator

Glove Calculator

Random Stripes 

Planned Pooling

Sock Calculator

Raglan Sweater Calculator

Yarn Required Calculator

Waist-Shaping Calculator

Armscye calculator

Buttonhole Spacing Calculator

Fair Isle Chart Maker

Knitting Time Calculator

OK - I was just checking to see if you are paying attention with that one!